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Present Scenarios of Media Production and Engagement | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Introduction
| Researching Present Scenarios of Media Production and Engagement
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| SECTION ONE: Scenarios of Convergence and Transmedia Communication
| Branding Game of Thrones Across Media: HBO’s Visual Creation of a Brand Identity
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| Vidding and its Media Territories: A Practice-centred Approach to User-generated Content Production
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| The Class: Living and Learning in the Digital Age
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| Videogames as a Political Medium: The Case of Mass Effect and the Gendered Gaming Scene of Dissensus
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| SECTION TWO: Strategies and Transformations of Media and Cultural Industries
| The Spanish Contribution to the Study of Cultural Industries. The First Steps
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| New Scenarios in News Distribution: The Impact of News Aggregators Like Google News in The Media Outlets on the Web
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| “We Need to Keep Moving”: Strategies of News Media to Attract Young Audiences in Germany
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| Bourdieu in Greenland: Elaborating the Field Dependencies of Post-colonial Journalism
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| SECTION THREE: Politics of representation in contemporary media discourses
| Humanizing Violent Extremism: Journalistic Reflections on In-depth Personalized Narratives of Western jihadists
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| “Exotic Brotherhoods” in Serbian Media Discourses: The Caucasus
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| Truce and Consequence. Indexing Theory and COP15 in the Danish Press
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| Farewell to a Utopia. Technology Discourse in the German NSA Debate
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| Perceptions of Acceptance and Inclusion: the Influence of Legislation and Media on LGBT Student Identity and Embeddedness
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| SECTION FOUR: Researching Media and Communication
| Notes about Common Sense and Academic Knowledge
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| Translating an Academic Text into Sound Art. An Experiment with a Communication Studies’ Text on Participation
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| Statistical Tales: Bringing in Reflexivity to Make Sense of Quantitative Data
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| Time in Neoliberal Academia – How to Make the Most of It
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